TOUR NEWS: Hunting Grounds, Gung Ho

Inaugural Triple J Unearthed High winners, Hunting Grounds, have taken quite a journey to their upcoming debut album. Changing their name from Howl, evolving from a dirty garage-punk into an epic new-wave-esque rock, and a protracted recording period have led to their first LP, ‘In Hindsight.’

To celebrate, the Ballarat six-piece will hit the road in August, pulling into Yours & Owls midway through the jaunt. Joined by Brisbane surf-pop dudes Gung Ho, Hunting Grounds will hit Wollongong on August 9th.

Hunting Grounds were last in town with Yacht Club DJs at the Unibar, so catching their intense performance in the intimate Owls will be pretty mindblowing. Check our photos & review from the YCDJs show.

Tickets from Oztix – don’t sleep, these will go fast!

Hunting Grounds, ‘In Hindsight’ tour
w/ Gung Ho
August 9, Yours & Owls
Facebook event

GALLERY: Yacht Club DJs, Hunting Grounds, Moonbase Commander @ Unibar

Photography by Jack Cowling (JAK Photography)

REVIEW: Yacht Club DJs, Hunting Grounds, Moonbase Commander @ Unibar

Words by Regan Kerr

The Los Angeles Raiders were an NFL team that existed from 1982-1994, after the Oakland Raiders were moved from Oakland to Los Angeles. How Guy from Yacht Club DJs managed to find one of their caps will remain a mystery to me forever; it’s OK though, it’ll sit right alongside the other mystery of where he managed to find his Michael Jackson t-shirt…with Michael Jackson still looking pretty black. One thing I did know for sure though was that two of the hippest party starters in Australia tonight brought their A-game to Wollongong

It was a rainy Thursday night as I arrived at the UniBar with my party accomplices. Super keen for a night of filthy mash ups from Yacht Club, we arrived to find a very empty venue. Moonbase Commander had just come on stage, spinning his chilled beats to a crowd of only about 50 people, all seated.

“Where the hell is everyone?”, “Did we get the right night?”, “Should we just change into singlets and snapbacks and head to 151?” were the questions on all our minds, but after consulting the tour poster to confirm we had indeed got the right night, we headed on in. Inside only confirmed our suspicions that there simply wasn’t very many people here, surprising considering the sold out nature of many venues on the They Mostly Come At Night tour. Back in 2009,  support act Hunting Grounds (formerly known as Howl) won Unearthed High, and have since gone on to receive regular airplay on JJJ, so it was just a little bit disappointing that only about 120 people turned out the whole night to see two hardworking Aussie acts.

Moonbase Commander’s set finished with little recognition from the crowd, and the nights disappointment was further compounded by this reviewer missing happy hour by five minutes.  Hunting Grounds came onstage, their six members lined up onstage and kicked the evening up a notch or two; raucous garage punk filled the UniBar, backed by their signature thumping beats and the perfect amount of synth. The lack of attendance wasn’t lost on the Ballarat rockers, prompting their ironic declartion to the standing crowd of three that “There is a whole lot of fucking rock and roll here tonight!” but no one felt offended; rather it was as if the crowd shared the frustration that more people weren’t here to witness an energetic and entertaining set from the band. Instruments were swapped, three members shared a drum kit and a raucous cover of the Beastie Boys “Sabotage” ended an hour-long set. “White guys are just so good at rapping,” quipped vocalist Lachlan Morrish, “The Beastie Boys, and uhh… 360?”. The boys then ripped into a cracking rendition of new single “In Colour”, featuring spilled beer, crowd vocals and a special dedication to the drunk guy in front of the stage who threw his wonderfully uncoordinated forearms around all set.

Yacht Club came onstage just shy of 10:30 to an empty dancefloor, which was surely a rarity for them. “This will be a lot better if you get up and dance. This isn’t a set you sit down and watch,” the duo instructed before opening with the hook from Dr Dre’s “The Next Episode”. What happened next was one of the most amazing things I’ve ever seen at a gig: everyone, literally everyone, stood up, walked down the front and danced. By the time they actually started playing their new mixtape, there was not a single person anywhere but the dancefloor. No one outside, no one sitting down, no one at the bar. Perhaps there wasn’t the volume of people anyone expected, but everyone had came to party.

For the next hour, Gaz and Guy spun, scratched and messed with their own mixtape, while dropping in party favourites to the delight of the crowd. Hunting Grounds were in amongst it, getting loose in the crowd and throwing down some rad dance moves, which always adds to the vibe of a gig. Comparisons to Girl Talk are probably unavoidable, and whilst lacking in the polished production and seamless transitions of Girl Talk, Yacht Club are just straight up fun. Not limiting themselves to chart pop music, the sheer depth of knowledge of music is evident as the boys dropped in songs from across genres spanning at least thirty years, as well as theme songs and advertising jingles. Ludacris’ ‘Move Bitch’ layered over the top of the Seachange title music? Yeah, it works (Fatboy Slim’s ‘Praise You’ mashed with ‘Sunshine of Your Love’ is still growing on me though). Full credit has to go to the boys for keeping it so entertaining all night, considering how depressing it must have been to come to a near empty UniBar after selling out many of their other national venues. Seriously, even Hobart sold out- once again, questions need to be asked of venues and promoters- but that’s another dead horse to be flogged another day. For now though, it was just a shame to know a lot of people missed top notch sets by two of Ballarat’s finest exports.

TOUR NEWS: Tonight Alive + Skyway, Ghostwood + Chicks Who Love Guns, Gossling, Comadre

Another mini-slab of tours snaking their way through town in coming months.

Tonight Alive are one of the country’s fastest rising pop-punk groups. They’re currently on tour with Amy Meredith, and will play the Unibar next week. However, if you can’t get to the show (or just couldn’t bear to watch Amy Meredith), the Sydney five-piece will be back in town come mid-July as part of their own headlining tour. Just announced today, Tonight Alive will hit the Harp on July 13th. Gold Coast pop-punkers Skyway are along as the tour’s main support. Tickets on sale tomorrow.

Another all-Aussie tour hits the Harp at the end of June. Sydney’s Ghostwood stop into Wollongong on June 30 as part of their ‘Stargazer’ tour, with tickets available for just $10 through Bigtix. Also playing on the night are fellow Sydney act, the very excellent Chicks Who Love Guns; these guys are incredible live, serving up a dirty garage-punk in the vein of Howl/Hunting Grounds or DZ Deathrays. Locals Carpet will open the show; definitely one gig not to miss.

Now, an international tour to tell you about; Californian punk outfit Comadre will hit Austinmer’s Headlands Hotel on August 3, as part of an East Coast tour, with Australian indiepunk group Quiet Steps in support. No word yet on tickets or sale dates, but keep an eye on the Facebook event profile if you’re interested.

And FINALLY, Gossling will play the Otis Bar on July 1. The songstress last played Wollongong as the support act to Oh Mercy, but she will return in a headlining capacity thanks to the increasingly awesome In Spite Of The Weather. Tickets are $10 through Moshtix.

INTERVIEW: Hunting Grounds

‘Hunting Grounds’ might not be a name you recognise instantly, but you’ve probably heard the name they went by previously; ‘Howl.’ After winning Triple J’s Unearthed High competition in 2009, the Ballarat garage-punk band picked up rave reviews for two brilliant 2010 EPs, and toured with a swag of artists from Children Collide and Grinspoon to Philadelphia Grand Jury and DZ (now DZ Deathrays). However, the band decided to change their name to Hunting Grounds earlier this year. Now heading back out on the road with Grinspoon over the Easter long weekend, Hunting Grounds will be heading our way to play Waves Nightclub at Towradgi on Sunday 24th April. Guitarist Michael Belsar took a little time to (sort of… kind of… not really) answer a couple of questions for us.

Tell us how Hunting Grounds came together
We all were in the same line at Centrelink.

Why did you decide on ‘Hunting Grounds’?
A thesaurus told us to do it. We searched the word paradise and it came up with ‘Happy Hunting Grounds’ which is Native American heaven, however it was too long, so we settled on Hunting Grounds.

After changing their name, DZ Deathrays they said it was important for them to get a new release out quickly after their name-change, to get the new name out in the public. Is that a priority for Hunting Grounds too?
Not really, we’re working on our debut album, which should hopefully be out some time this year or early next year. Go buy DZ Deathray’s new EP ‘Brutal Tapes’ in the mean time, it’s incredible!

You released two EPs in 2010. How would you compare the two?
They’re exactly the same, ‘Brothers In Violence’ is just in reverse.

Bands like yourselves, DZ Deathrays, Bleeding Knees Club and Chicks Who Love Guns are really bringing that punk/garage style of music back to the fore. Why do you think this style has picked up momentum again in recent years?
Cause we all suck at music.

How do you think the band has matured or grown in the time since coming to prominence through Unearthed?
Looking back at the way I’ve answered the questions in this interview, not much. But I guess just playing constant shows and putting our lives into our work. It became a reality after winning unearthed that we could actually do something other than be a high school so we are taking it as far as we possibly can.

You’ve racked up some serious touring experience in the last few years, alongside DZ, Grinspoon, and that massive tour with Philadelphia Grand Jury. How important is touring, and playing live shows, to a modern band like yourselves?
No one sells records anymore so you’ve gotta tour, tour, tour. Lucky it’s incredibly fun so we’re all more than happy to do it.

On those big tours, especially ones that go through a lot of smaller regional towns, surely you can’t be making a lot of money. Do you justify those initial losses, because they’re something of an investment in the future of the band?
Yeah what you said.

Speaking of Grinspoon, you’ve toured together a few times now. Why is that?
They’re all just great guys and for some reason liked us enough to have us support again. It’s really amazing to see such a successful band still be so down to earth and care so much. I’m actually packing for that tour right now.

So what’s next for Hunting Grounds? What does the rest of 2011, and beyond, have in store?
I guess to release the album and hopefully keep doing what we’re doing for a long, long time!

Hunting Grounds play Waves Nightclub on Sunday 24th April, supporting Grinspoon. For more info, see the gig guide.

WEEKLY PREVIEW: 18-24 April

GIG OF THE WEEK:


SUNDAY: Grinspoon, Hunting Grounds, Strangers @ Waves Nightclub, Towradgi
8pm, $35 + bf, 18+

Say what you want about Grinspoon – “Triple M fodder,” “Dad-rock”, “sell outs” – they’re one of the hardest working bands in the business. They play the big venues, and are a staple at most Aussie rock festivals, but they play the small towns and do the hard yards on almost every single tour. Their August tour took in twenty-something dates, and not a single capital city; every single show was in regional, out of the way towns that aren’t usually accustomed to hosting the raucous, punk-rock show served up by Grinspoon. So, in the vein of Grinspoon supporting small towns, I’m supporting Grinspoon. Granted, their past few albums have been utter tripe; but they do tend to lean heavily on their older material. You know it well, the pop-grunge-rock that made up the soundtrack to your early childhood – ‘Champion,’ ‘Lost Control,’ ‘Chemical Heart,’ ‘1000 Miles,’ ‘Hard Act To Follow’ – and despite your best efforts, you can’t help but like it.
With support from two awesome up-and-coming Aussie acts in Hunting Grounds (formerly HOWL, Triple J Unearthed High winners from Ballarat) and Strangers, it’ll be the loudest, craziest, most enjoyable show of the weekend.

Stay tuned later this week for Radar’s interview with Hunting Grounds!

ALSO THIS WEEK:

TUESDAY: Vanguard Party, Pat Arnold @ Otis Bar (Music Scene Forum ‘after-party’)
9.30, 18+, free

WEDNESDAY: Kaleidoscope @ Wollongong Uni (Lunch on the Lawn)
12.30pm, all ages, free

WEDNESDAY: UOW Quake Appeal feat. Alloway, Liam Cooper, Belles Will Ring @ Wollongong Unibar
7.30pm, 18+, $12 (students)/$15 (general)

WEDNESDAY: Kira Puru & The Bruise, Mother & Son, The Walking Who @ Harp Hotel
8pm, $8, 18+

THURSDAY: Bennie James, Obscura Hail, The Bittersweet Empire @ Otis Bar
7.30pm, 18+

FRIDAY: The Watt Riot, Ye Luddites, Indian Mynah, Bugdust @ Headlands Hotel, Austinmer

SATURDAY: The Monster League feat. The Bungalows, A Cat Named Kessey, The Lavers, The Flat White Cats, Dlinkwint @ Kiama Leagues Club
7pm, $15, 18+

SATURDAY: ‘Day of the Dead’ @ The Patch
Featuring: Hytest, Gay Paris, Rukus, Baby Machine, Bulldoze All Bowlos, Chainsaw Mascara, The Toxicmen, Handlebar, Smasheddybash, Psychotic Numbskulls
12pm-12am, $10, 18+

We’re always happy to help out! If you would like to include an event in Radar’s weekly gig guide, please contact radar.illawarra@gmail.com

INTERVIEW: GOLD FIELDS (Ballarat)

Ballarat’s GOLD FIELDS played at the Wollongong Unibar last week, supporting The Holidays on their ‘Seven Million Mornings’ tour (read Radar’s review of the show). Mark and Vin were kind enough to give RADAR a few minutes of their time before the gig.

RADAR: Can you tell us how the band got started?
Mark Fuller
: Four of us went to school together; we all played music through school and in other bands. Then we met Ryan through a band that me and him and Vin played in, and we thought we should start something different. So we started Gold Fields, and we got Luke and Rob to join; they were our mates and hadn’t really played music before, but we got them to play for a bit of fun.
Vin Andanar: They’d never been in a band, but they knew music. Our first rehearsal was January last year, but we didn’t start writing until about this time last year. Then we started recording, and took it from there.

RADAR:  You guys travelled to the United Kingdom very early in your careers, after only a few shows I believe. What was behind that decision?
Mark
: The UK record label Young & Lost Club somehow heard our song ‘Treehouse’ and wanted to release it as a single, which we were stoked about. They said there was the option of playing a few shows to support the release; the shows we were offered were decent shows, so we thought that it was worth it to get there. We took out a loan to get there, which we’re still paying off!
Vin: We went over there, got some more shows, and the opportunity to support good bands, and met people in the industry; it’s different over there, but well worth it.

RADAR: You’ve been featured heavily by Triple J, JMag, FBI Radio and a lot of publications are tipping you as ‘artists to watch’ in 2011. Is it weird to get so much hype so early in your careers?
Vin
: It’s definitely strange hearing yourself on the radio and reading reviews of people blogging about you. I’m definitely not used to it, and no one else in the band is either. But we’ve kept busy, so you don’t really take notice of it so much. But when friends and family tell us about it, it’s weird.
Mark: Especially when we were writing ‘Treehouse,’ we were thinking “oh imagine if Triple J played this,” we would have been so happy… even if they only played it once!

RADAR: In the current age of sites like Pitchfork, all these blogs and sites that really focus on uncovering the ‘hot new thing.’ A lot of these bands get really built up then fade away; are you conscious of trying to outlive the initial hype?
Vin
: For us, it’s about getting on the road, touring, building a solid foundation and getting people to listen to us; not just putting out a release and not having toured. I think that’s a problem with bands that get hyped up, they don’t seem to tour often and don’t put in the hard work. But we’re the opposite; we’d rather hold off on the record and do what every band does, start at the bottom
Mark: As well, we’ve sort of built up a bank of songs that we’re confident with and that we like. Knowing we have those, it’s like positive reinforcement. It gives us confidence.

RADAR: You’ve just got the one single out, ‘Treehouse’. Is there any new records coming up?
Mark
: Our next single ‘The Woods’ comes out in a few weeks, it’s getting mixed at the moment.
Vin: We want to get more music out there. We don’t want to just be known for one song
Mark: That’s the annoying thing, it’s shit playing a show and the crowd only knows one song. But we can’t really complain about that, seeing as we’ve only played forty shows or something. We’re still working it out, but probably an EP is coming up. We’re not rushing it, because we want our album to be as good as it can be. There’s still a shitload of people who have never heard of us, so if we do an EP and keep building up, that’s probably the way to go.

RADAR:  You’re from Ballarat, which is producing a bunch of great, diverse bands lately, like Hunting Grounds and Yacht Club DJs. What about the area is making it such a good music scene?
Vin
: Well, there’s two main things; you either play sport, or do music. The other is Karova Lounge, which is a pub that really supports local music and bands, and gives them a go. They put local bands on big tours coming through, they’re really supportive
Mark: If you look at schoolkids, there’s no beach, nothing really out there to do, except play footy or play music. So people who don’t play footy, they play music; and people who don’t play music, they play footy. The Karova too, it’s an awesome place; the pub opened 5 years ago, and since then, the Ballarat music scene seems to have blown up
Vin: With Yacht Club and Hunting Grounds, people are starting to take notice of Ballarat as a place for good music. Triple J have really supported that. Another band is Tessa and the Typecast, who Triple J have started playing. We had Epicure back in the day, the Mavis’. Everyone in the scene supports each other.

RADAR: Gold Fields supported Crystal Castles on their Australian tour in January; your styles are incredibly different, so what was that combination like?
Mark
: Before we went on stage, in our green room backstage, we were sort of shitting ourselves a little bit because we’re thinking ‘what will people in the crowd think, when we go on and play our little rock-pop?’
Vin: We were really looking forward to playing, and couldn’t believe we were playing with Crystal Castles, at the Enmore Theatre. But as soon as we went on stage, it was amazing. We got an awesome response. Exactly the opposite of what we thought was going to happen. It was one of the shows we got the most feedback from, people at the show emailing us or talking to us on Facebook
Mark: It was the biggest crowd we’d played, apart from Falls Festival [Gold Fields won a Triple J Unearthed competition to play at the festival]; it was a massive mosh right at the front. Crystal Castles themselves were amazing, they had this huge energy. It was the most intense show.

RADAR: Gold Fields have also supported Bleeding Knees Club, and you’re hitting the road with Miami Horror soon; do you feel comfortable playing mixed bills, alongside bands that don’t necessarily sound similar to you?
Mark
: We don’t wanna be pushed into a  genre or category or anything, any scene. So playing with different sorts of bands has been awesome. I’m fine playing with those bands.
Vin: it makes us better musicians too, being able to hone our live show.
Mark: And changing the set up for what type of show it is. Also changing up  the set depending on the venue, on what the crowd will like.

RADAR: Just one last one; what’s next for Gold Fields?
Vin
: More touring, more writing, more demoing. We’re going to hit the road, hopefully jump on good festivals. And we’d love to get back overseas soon
Mark: immediately, our next song ‘The Woods’ is coming out in a few weeks. So hopefully that opens some more doors, and helps us out a little bit more.

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Gold Fields are currently on tour with The Holidays. Check the band out on Facebook and Soundcloud, and listen out for their next single ‘The Woods’ to be released in coming weeks.