August 30, 2012 Leave a comment
High off the success of their debut album A is for Alpine, six-piece Melbourne indie-pop ensemble Alpine entranced an enthusiastic and expectant crowd at the Patch on Wednesday night. With their distinctive fusion of breathy vocals, catchy melodies and knee-jerking energy, Alpine cemented their place as inventive and innovative newcomers at the forefront of the Australian music scene.
Opening crooner Georgi Kay greeted a thriving Patch with relaxed, mellow and minor tunes. With a voice that mixes a little bit of Angus and Julia Stone with a little bit of Sarah Blasko, Kay has harnessed an unusually strong and defined voice for someone of only 18 years. Despite her reserved stage presence, Kay’s commanding sound and quirky lyrics generated an affectionate we’re-all-friends-here vibe among the crowd that continued for the remainder of the night.
Next up, electro-pop (or “blow wave”) five-piece Clubfeet stole the stage with light guitar riffs, synth-dominated loops and a frequently featured tambourine. As a few casual boppers took to the floor, the boys from Melbourne harmonised through charismatic dance songs, often laced with an underlying ’80s sound. After sharing a drink with a generous young lass in the front row, lead singer Sebastian Cohen shared a few dance moves of his own to Teenage Suicide (Don’t do it) and set closer Last words; providing entertainment to all the late-comers who had just strolled in.
Finally, the lights dimmed and the much anticipated set of Alpine opened with trance-like melodies and husky vocals. Decorated in glittery eye make-up that reflected the cosmic undertones of their voices, front-women Lou James and Phoebe Baker descended with an energetic stage presence that showcased flawless pitch, while Ryan, Tim, Christian and Phil plucked out melodic riffs and thumped out inventive beats.
Filled with impeccably-timed syncopation and dynamics, the band flew through a mix of EP favourites such as Heartlove, while also introducing newbies Seeing Red and Hands. The Patch was promptly transformed into a gathering of swaying individuals that gave the impression of floating, but in the middle of crowded, sweaty dance-floor sort of way.
As a few ill-timed jivers enthusiastically raved through the crowd, some spirit fingers made an appearance on stage as James declared “Let’s get noisy, in a nice way.”
And that is precisely what we did. In a perfectly well-behaved manner, the audience hummed and warbled out the opening lines of Gasoline while the two female leads encouraged some dramatic head-bopping. It’s safe to say that the song sounds even better live than it does on CD- an impressive feat- although it remains unclear as to whether this is because of the bands quirky onstage character, or just a result of their outstanding musical talent.
(As a side note, for all current residents of the Gong, it seems that Lou, in particular, is a big fan of our cities name, joyously exclaiming: “I love the name Wollongong. Woooooollongong. I’m going to call my kid Wollongong.” Fact.)
Finishing on Villages, with some chronic hand-clapping and a few sensual dancers making their way towards the bar, it was evident that Alpine had come and conquered, no doubt winning over all ears in the venue (but perhaps not those of the surrounding sites, who issued a few cheeky noise complaints).
For further tour information, get click-happy right here: http://www.facebook.com/alpineband/app_308540029359